FROM LIVERPOOL - EUROPEAN CAPITAL OF CULTURE 2008
CAUGHT IN THE NET - Twenty One
September 2004
Editor - Jim Bennett
Hello. Welcome to CITN 21. As always I am grateful for all the help and support I have received from the poets who have contributed and who continue to contribute. I still welcome submissions to CITN and look forward to reading them, but it can take up to six weeks for me to get back to you and let you know so please have patience.
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| CONTENTS | |||
| G.R.Bradwaj - (Hyderabad, India) | DAWN STRIKES THE KEYBOARD | ||
| Rosemarie Crisafi - (NY USA) | MOSAIC | ||
| CHRISTINA'S HOUSE | |||
| A GHOST ROSE | |||
| GERANIUMS | |||
| ROSE WINDOWS | |||
| THE GHOST | |||
| Carolyn Edwards - (Wirral, UK) | ALLERGY | ||
|
MADEMOISELLE DU MER | |||
| Daniel Gallik (Chagrin Falls, OH) | TWO COSMIC CHASMS IN THE SAME SEWER | ||
|
A YANK FLEES HIS FATHER FOR DEATH | |||
| Desmond Swords (Ireland) |
LROVSE | ||
| INDYMETER | |||
| Andrew Taylor - | UNTITLED #9 | ||
| THE FLIGHT WAS A LITTLE TURBULENT | |||
| Sarah White - (Fayetteville, Arkansas) | LINGERING | ||
|
|
Dawn Strikes the Keyboard
by G.R.Bradwaj
I sit alone as my keyboard awaits the
Dance of the fingers
on its keys,
Each stroke unique
and scattered,
Entrapped are swimming poetic images, that seek clarity.
I see the night
Has brought the sounds to a halt;
Slowly, one by one, silence consumes,
All movement, flow quietly downhill from the past.
Nothing is in motion but my mind,
as it escapes into a world,
Lost to cobwebs of time.
The more that I think,
Images further recede,
Each one, cascades into the other,
and as I write
A page no longer reflects a single thought.
Each fleeting image cries
Frame me in immortality.
The lights that shine
No match for starless nights.
I ponder
Is there fairness in life?
Or is it only cold carbon that's every man's birthright
The night yields no answers
Dawn strikes the silent keyboard.
The following poems by Rosemarie Crisafi are all part of a longer series
Mosaicby Rosemarie Crisafi
A deer, a peacock, a lion,
Ox, sheep and a winged man
A man holds a key
A fountain sprays and hawks soar
A finger seizes near the mouth in awe
Pears and oranges nest in date palms
Vast arms encircle the sphere
Large eyes float
In mixtures of straw, sand,
Marble dust and water
Painted with dyes blended from eggs, vinegar, wax,
Honey, and almond gum
With pine and mastic resins
Small stone and ceramics form
Enamel faces
On the vault, at the domed east end
Encompassing the nave
In the half-moon apse
Ochre adds humility to white paint
And inset gold and garnet cubes
From the East, daybreak pours
Flooding the valley
luminous
Drenching me in the Alpha and Omega
A dove spouts water
On a purple haloed throne
In the garden
Christina cradles a seashell
Christina's Houseby Rosemarie Crisafi
Houses hum peacefully along the street.
Father's geraniums grow.
He loved her.
He composed a rune on her wrist;
Snapped stars, brittle crackers, between his fingers;
Slapped mortar on bricks to build his hearth;
Stoked the fire, stirring with steel, making it hot;
He lingered tenderly over tomatoes and flowers,
Embedded root balls in soil.
A Ghost Roseby Rosemarie Crisafi
On an insensible face,
he planted his roses.
Soft halos blushed,
encircled deeper organs,
bound by outer rings of jade.
Outmost green enclosed
to shield them from harm.
A corolla loosened.
Burgundy bursts
into the small leaves.
A thorn pierced.
Pink tissue gave.
Crushed, buds abandoned blooms.
Petals fell.
A ghost rose.
Geraniumsby Rosemarie Crisafi
On a cellar ledge
in a clay jar, webbed leaves
crept from their chamber. Rounded
huddles of saucer flowers
wore pointed cardinal caps.
Droplets beaded on palms. Roots
tunneled
into coffee,
an unseen rectory,
dim nursery for two geraniums.
In father's underground Vatican, he
fell victim to a small girl
with his hot nerve and a wiry stem.
The robe torn, she stole his hat.
and fled, having executed justice.
When he found the relic, he burned
incense.
Startled Christina cried
cheeks on fire.
Rose Windowsby Rosemarie Crisafi
In a church, panels swirl.
From a gold chalice grape wine
pours in with dawn.
At the alter the couple weds
body to body,
revived nightly,
tousled and knotted,
they lie face to face.
They see in the mirror.
Christina wears Andromeda chains
not even her firemen could break,
not even her robbers could crack.
Her face misplaced in the goblet,
she stares from a glacier
embedded, a numb bug. in the thick prism. She hides,
anesthetized, under a frozen surface.
Alive under the frost,
her pale face and pink lips.
utterly forgotten.
Daughter of a rose
sister of rosebuds
she sees only embroidered lead
dyes and paint
entwined and divergent lines
cast in metal and ice.
She does not see her reflection.
In the kaleidoscope, she cannot control
the relentlessly changing shapes
of the rose window.
At the end of the long tunnel,
She cannot remove the layers worn--- so many clothes.
Christina sleeps in cathedrals.
Over her bed, concentric circles spin,
She awakes to wheels of colored glass.
The GhostBy Rosemarie Crisafi
Now is the moment in summer
when in our life
the airy, fragrant spring clouds disappear.
Descending the gorge's depth,
falling near a phantom
so far ill-fated in this country,
the gauze thins, pale and empties its radiance
that opens and shuts, like eyes.
Scrambling in the dusk it's easy
to mistake them for cats--
furry, that is--the glossy ones:
Stripes going up on black,
or raccoons in shadows. With a coil,
they march and then linger, take it in stride;
except when disturbed they raise
the bright stars in Orion's belt,
advancing, plodding, gravely
and unexpectedly leaving,
or, in the updraft from a ravine,
slowly growing vulnerable.
This evening a young small one arose.
It sprouted like a lily of water
inside the vale in front of the cave.
The rain trumpeted. Christina smelled the odor
of a solitary male in summer,
with tapered streaked forehead
white running to his tail but
we fled from the churring.
The den abandoned. Unhurried
friendless, grubbing for larva
the skunk seized the gully,
globed nose dropped, thick tail lifted,
and then a she strolled out,
growling at her astonishment.
So lush- a sinus full of pungent dread
from erratic, heated nostrils.
Ghostly.
screech and alarm,
as white flashed in twilight.
Allergy
by Carolyn Edwards
I have all the symptoms
nervous cough
reddening of the skin
moist eyes
been explaining
til I am dry in the throat
there must be something in the air
something you bring in
on your clothes
or the dusting of pollen
that has settled in your hair
spare bee stings
on your skin
some malevolence we share
when you touch me
as if you know
what the trace of something
on your lips
will do
how I will say
it is simply something
in the summer air
wind borne and drifting
in through the open window
Mademoiselle du Mer
by Carolyn Edwards
I stand in silence on the sand
close my eyes and hear
the sad soft breaks along the shore
hear siren voices beneath the surf
and wade in
fighting the surge
feel it whip against my shoulders
slam and break
gobble and burble in my ears
as sound expires and resurrects itself
in different clothes
as I drive in further
I stumble against the drone of whale song
tread the bass of their thunder
like old forty fives
at seventy eight
blend it with the snare of dolphin song
feel the sway of slow, spaghetti hair
and rock with custard limbs
until the noise fills my head
breaks in my lungs
and takes me, dancing
into the never ending chorus of the blue
Two Cosmic Chasms In
The Same Sewer
by Daniel Gallik
Acton said to himself
he was going to make
a most assured debut,
that in this girl’s
history she would not
have seen a finer man.
Such the lies he told
himself all the time.
If you knew him he was
like self parody, like
a thrill no one had
had; even sophisticates
couldn’t see his truth.
A smart-ass wasn’t Ac-
ton. Wasn’t even good
playing the part. She
was shrewd as Fagan.
And not a witty cynic
about it all. Blue-
eyed, a shape, blond
and full of wash. Big
was her name. Like, in
Brooklyn, around 1963,
2 charmers met; loved.
A Yank Flees His Father For Death
by Daniel Gallik
I knew these people and the death
that is Mark Allen Goldman said a
woman that used to be women. She
added that I used to be a genius
and now I can hardly hold up my
busta. In Spanish she added that
she hated Cancion and most of Mex-
ico. Tejano sounds came from books
and sweating puers. And Mark Allen
could not speak. His father was
like a mambo king, and would always
yak about traveling to Mex Land as
if he was Kerouac in jeans. Guy
sold onion soup to restaurants in
NYC. So, one summer his kid went.
And he made friends. Hot sun and
haciendas appealed to him. And he
stayed longer than a summer. One
eve he got killed as he lazed on
the shore of Yucatan. Tito got up
enough energy to snake-hip Mark G.
LROVSE
by Desmond Swords
Underneath it all
We talk
Over and above what is
So why not stay a while
And let me dream
Of life with you.
I will not make a hollow pledge
Of empty words
Which promise something
I can’t give
The wind
The sea
Or starlight’s shimmer
On your hair
The bond I undertake to seek
Exchanges comforts
Found from understanding
And being understood
although
when I gaze upon your form
I see emotion as a mirage
You, the one love
Who will never truly stand before me.
Your flesh can be only touched
in dreams
When reality comes alive
In epic tales, played out nightly
Or in that half snooze state
I sometimes get to fool around in
A world where my desire for you can be indulged
INDYMETER
by Desmond Swords
What becomes of love when roses fade and birds migrate
beyond the realm of meaning,
subverted, staid and losing faith in the pleasure
of abandoning reason?
And what reason,
whereby all sober thought is discarded in lusts flame
to serve beside raw passion
beats now within?
That order is swept away along with all censure
of rash or ill judged action
in hot days of flush youth when belief has words that say
the day is of small matter.
And what matter,
creating still days when time is abundant unable
to cease or stray from our life
traps now within?
The initial register of their quivering timbre
becomes a significant hush
as each immeasurable moment sequentially
steals forward all dawn through dusk.
And the dusk,
like a rainbow ring arching into a cloud
startles colour to the eye,
does dance my
imagination chaotic, by upending sound
reason and trying
with constant attempt to straddle some powerful force
all shades of passion embrace
And this embrace,
like youth’s fading light draws softly in darkness
quenching ardour by decay,
relates to force.
The Heraclitan stream upon whose surface all thought
fixes logic and symbol
our world of flux creates, and which I seek to harness
events of this temporal
manifestation of unknowable order to,
as though it were dolmen stone.
But this stone,
riven deep into a wet rich clay of live cold earth
impervious to us all
holds no thought,
only the imprint all sequential moments that drew
each to the next have made known
before passing to fade like the rose and migratory bird.
Untitled # 9 Liverpool London Paris
by Andrew Taylor
Aigle and addiction to nature
boulevards Place de Sartre – Beauvoir
Café de Flore after tipping
the cloakroom attendant
Le Bateau Lavoir a balcony view
there is a fountain in the Sqaure
Tim Hotel Metro Abbesses
cash points and The Two Windmills
Moulins in neon
The magnificence of friendships
that stand the test of time
You were there whenever I turned
around I felt your presence surround me
in the galleries of Paris
the flight was a little turbulant
by Andrew Taylor
but fine transatlantic phone calls
and time delays this world is shrinking
and all the time I think of Raymond
Carver and the three little words
that appear like shadows on the page
and haunt like evenings spent
away from home or in close proximity
to the beloved
the recognition of the other of being
fortunate the combination of it all
this imprint as if on fabric stands
out like the dusting of Spring in hedgerows
"Lingering"
by Sarah White
When I wake up
in the morning
I can smell him
on my skin
and if I keep my eyes closed
I imagine
I can almost believe
he’s still beside me
in our bed
and not wherever the world takes him
on Friday mornings.
When I wake up
in the morning
there is emptiness
where he was
more than any normal morning
when I wake alone
wishing just once
I could roll over
and find him there
but his world always takes him
away from me.
- Afterword
- email Jim Bennett - jimbennett11@btopenworld.com - tell us what you think.
- An archive of previous editions of Caught in The Net is available at
- http://www.geocities.com/Athens/Aegean/9952/index.htm
- where you can also join the mailing list and the PK Poetry List
- Thank you for taking the time to read Caught in the Net.
- Next regular edition due at the end of November 2004 - look out for it in the in-tray