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CAUGHT IN THE NET 129 - POETRY BY
CHARLES F. THIELMAN
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|
Her legs, rippled hints of a
jazz dancer’s spine, jut out of a denim skirt and
on into mud-crusted
boots in the mantle photo,
both dogs claiming
one stick, small town
background. No jobs there.
This sky dropping red and
saffron robes, dusk
stumbles across lanes with one
eye open
from; Red Gauze of Sunset by Charles F. Thielman |
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CONTENTS
1 - BIOGRAPHY
2 – POETRY
Community Swelter August Night Kicking Dice Across Blacktop After Rain, Portland Hawk Cry Wedding City Jazz Waking in April Night Rivers Red Gauze of Sunset As The City Hums On a bone-dry slope |
3 - PUBLISHING HISTORY
4 - AFTERWORD
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1 – BIOGRAPHY: Charles F. Thielman
Born and raised in Charleston, S.C., moved to Chicago, educated at red-bricked
universities and on Chicago’s streets, Charles has
enjoyed working as truck driver, city bus driver and enthused bookstore clerk.
His book, “Into the Owl-Dreamed Night”
is available through
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2 - POETRY
Community Swelter
The heat drags its knuckles
over blacktop, brick, arms,
faces,
jack-boots the street as humid
mist
drifts from the heart of our
bricked square
out to the curb where coffee
shop workers
are delivering ice waters to
the street urchins.
Scooping a cube onto her neck,
she’s trying
to triage her malaise with
iced coffee,
relief dissolving her street
mask for a moment.
Summer night draping damp
linens
over city intaglio, blue
glyphs of exhaust
above intersections, verve and
pocked nerve
hinged on the dark geometries
of power lines.
No seats inside, she fingers
another cube
up an arm, beveling the edge
honed all day
at work unloading boxcars to
load trucks.
Square denizens promenade and
sweat,
cop on horseback beside a
sidewalk tree
regulating the pulse as a
corner sax player
lets fly with a freighted
wail, notes
like orchids spun down
canyons,
drawing stragglers to our
shared swelter.
August
Dawn soon carved
by the shadows left by loss
in each layer of real
and what we bring into each
room,
windows painted shut,
voices stymied by glass.
On the street,
the world starts in fifteen
minutes,
strap on your watch, or
write into this quiet
as your lover rolls out of
sleep,
her thighs catching light.
Dream waxed eyes deep,
she watches you
as a doe,
standing in long grasses and
sun,
watches an August streambed
and sees wind
grazing wave crests,
clouds rooted in undertow.
Night Kicking Dice Across
Blacktop
She likes to think her shadow
is stitched
to a façade, a façade
dissolved by
her hot embrace of this moon’s
eclipse.
Angers rivulet into her
newly-dug trench,
ashes and seed planted along
the loam edge.
A name drawn in wet sand, the
undertow
inhaled broken shells as she
reached
for sunset glints inside
agates.
Her dry skin drank in the cold
beads strung
along a driftwood branch,
brush-tip just now
reaching canvas with its load
of dark blue
as jazz sax bevels edge into
oar. Thoughts
like bone chips clatter
against the nest
where her faith sits, that lit
mecca close
to spine, her eyes born of
sought dream.
Pushed by needs closer to
canvas,
she chants an old prayer,
hunger
scraping the layers of a mask
away.
She browns her father’s eyes,
dusk
shuffling around the corner
behind him.
Joe’s Cellar Bar & Grill in
neon red and blue,
his work-knotted shoulders
pushing through
the plate glass door, his just
visible co-workers raising a
toast.
After Rain, Portland
Tonight’s street theater in
rehearsal
around bridge legs, street
urchins
encircle a fire barrel while
pigeons arc
iridescent, unloading over
happy hour.
I take in the view at
mid-bridge.
Glass towers blued as the blue
thighs
of clouds roll across the
burlaps of sky.
River hauling debris around
green hills
to the Pacific. Lines of
brake-lights strobe
down bridge slopes, commuters
fleeing
cubicles, becoming consumers
on
that freeway’s exit ramp to
the mall.
Swing shift break over, I
approach
my factory’s riverside door as
another truck
backs into the shipping dock,
dark cave
needing a refill. I flick my
break smoke
onto a puddle of diesel, half
wanting to ignite a
distraction.
Hawk Cry Wedding City Jazz
Held by habitual love, men of
dusk
raise oak batons into deft
subito,
the blue notes of jazz sax and
trumpet
rising above brick, asphalt
and pulse.
Men of dust raise oak batons
into deft subito,
conducting current swirl as a
seeled falcon
climbs, rounding on columns of
heat and sweat.
Homing in on the blue notes of
flute and trumpet,
men of dusk grasp at sedge
beside the current
as men of dust raise oak
batons, sensing
pain in the serrated glaze of
stars.
Hawk cry wedding city jazz,
held by
habitual love, men of dusk,
men of dust
dance and stride through the
convoluted air,
raising oak batons into deft
subito, breath of cougar,
blood of bighorn, bones of
whale, sight of osprey,
flesh within flesh. These
lovers of twilight lean
into its liquid flutter,
discovering new pain,
sweet pain, in the serrated
glaze of stars.
Hawk cry wedding city jazz,
men of dust,
men of dusk homing in on blue
notes, true eyes
opening in songs of love,
anointing the new wings
arriving laden. Oak branched
surprises of clarity crest
beside the current as a large
falcon wheels and dips
into our dark blue sky,
thousands turn at the peal
of its cry. Edging down into
green, these lovers
of twilight lean through the
birdsong swept air.
Men of dust, men of dusk raise
oak batons
into deft subito. Blue notes
rising from dry benches,
rising into a liquid flutter,
current pulling
marrow as the ragged heel into
their waltz
of hungers, hawk cry wedding
city jazz.
Waking in April
Wave-crests
like the faces
of sleeping poets
bisect my soul.
Dream’s warm shirt
unbuttoned
and coaxed off my shoulders
below pre-dawn birdsongs,
her scent rivers inside
my tongue
Night Rivers
She sees vaccines and
illusions
riding downtown curbs,
city night balanced
along the edge of a duotone
slant,
moon pulling shadows across
current,
spotlights revolving below a
dome
capped with silvered
contrails. Loss
tattooed on the wing of a
dream
let to fly. She walks beside a
river wall
to the peace garden, haiku in
stone
rooted in nuclear war.
A tug boat plies upriver, lone
deckhand
near the bow, incurable eyes
sweeping
a rectangle of sky as trucks
throttle
down bridge slopes.
Bridge legs collecting shadows
as she traces carved letters a
mile
beyond the work-week’s spinal
taps.
Tough to be solo amid these
weekend couples.
Flaring colors across fresh
canvas after
a wreck in the same town is hard
work,
the promises given in that dream
echo inside memory.
She pivots away from laughter,
dank cloth of hot summer on her
arms
and legs, gaze snagged
on an initialed bench.
Red Gauze of Sunset
Day-dream small windows, sun
slats
crossing a wood floor to her
statue,
his eyes steadied that instant
by
marble in the artist’s reach,
a remedy for the soul
vertigoes
delivered daily office to
cubicle.
He steps out onto their second
floor porch
and stretches his arms below
the red gauze
of an April sunset, ears
following a train
wailing towards her factory,
her swing
shift soon taking their first
break,
knotted shoulders ready for
the liquid songs of robins.
Her legs, rippled hints of a
jazz dancer’s spine,
jut out of a denim skirt and
on into mud-crusted
boots in the mantle photo,
both dogs claiming
one stick, small town
background. No jobs there.
This sky dropping red and
saffron robes, dusk
stumbles across lanes with one
eye open
as happy hour mimes the
day-shift’s truncated
ballets. Soon, night will
rattle strings
of sodium pearls, marquee and
back porch lights.
They all will pile into the
car and go idle outside
a factory gate, late buses
being too dangerous.
Having shortened the winter
with their passion,
she’ll be sharing baby photos
with her co-workers
in 6 months. He gazes west,
recalling how,
as a child, he pressed a
flashlight on
his left palm and dreamed
the true smell of his blood.
As the
city hums
[Ekphrasis,
after Artiste Robert Tomlinson's "Basin 3"]
Night emerges from
the dried blue husks of day
to stutter out stars.
Inkwells of darkness spout
plumes transfiguring
each concrete equation,
your daily mask imprinting
marrow
as you forage along the seams
of memories, tongue gathering
vowels like agates
that can be tumbled
into greater beauty, given
light.
Dream’s right foot tremors a
pedal
bone edge held to stone wheel
umbrellas of sparks cast over
rust
and kindling hand-swept
from the median
between twilight and sleep.
Moon coaxing a rhinestone
blouse
on to the night’s shoulders,
lines of lit Braille
ink across cement
and into alley mouth.
All that you perceive
becomes driftwood fed to a
kiln.
On a bone-dry slope
Those who listen for the sound
of ash
say fire is an animal
that grows by drinking
the sap of wood and bone
and speaks in guttural
continuo,
gold on yellow waves
scored over black char.
Embers taken by wind scribe
the intent to crown
every need for rebirth
with a given fact of darkness,
that exile pulled back
overnight
through borders the moon
traces.
Guarding hope
in white light
dilutes the magical,
coyote not heard singing
the code to unlock all gates
and drop flints up moon-lit
paths,
wings stacked on a bone-dry
slope.
3 - Publishing History:
"Community Swelter" in The
Oyez Review [Chicago]
"August" in Muse
Anthology [on-line zine]
"Night Kicking Dice Across
Blacktop" in Tiger's Eye [Eugene, Oregon]
"Hawk Cry Wedding City Jazz"
in Fault Lines [Portland, Oregon]
"Night Rivers" in Open Road
[on-line literary zine]
"Red Gauze of Sunset" in
Emerge [on-line]
"As The City Hums" in
Original Weather [Portland, OR]
"On a bone-dry slope" in
Great Weather for Media Anthology [NYC]
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4 - Afterword
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We are looking for other poets to feature in
this series, and are open to submissions. Please send one poem and a short
bio to - info@poetrykit.org
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