The Poetry Kit |
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Gosford Green, Back Then
Phillip, with his University of Warwick politics, so free from responsibility that he could live for his ideals and have a solution to the world's ills. Perfection often came from tyrants, he told us. Never pre-judge just from what we read in westernised sanitised history. Be the Bolivian peasant, the worker building the enclosures that would eventually bar him.
Becky's tongue would lightly run between the gummed edges and squeeze together the two papers. She would fill this with Virginia on the laminate of her study-book and conversation would continue but all eyes would follow her fingers; rubbing brown-black resin along the length, then lifting and folding, the tongue glistening again to finally seal; one end twisted, held and shook. Only then would we look up.
Siobhan would tell us that the protest singers were just fake, singing of oppression and poverty while lining their pockets, soaking up gullible and impressionable fools, like Phillip, like me. Don't buy the mock anger, read The Grapes Of Wrath then decide or remain indolent. But there's entertainment and beauty in compassion too, we'd argue. And it wasn't all protest. It was love and awareness too and Suzanne had changed our concept of what could be performed as music and the Gates Of Eden could even change lives.
All around, just by the road, the solicitors' offices threatened, awaiting referrals from neatly positioned estate agents. The smoke was free for us and held in our lungs until released to discolour the clouds, lazily-hanging perfume, the taste exquisite, unmistakable. Becky asked us to explain just what was so great about a poet who permanently begged money, who stole suits and pissed the bed. It was the perfect time to answer. The green's metal railings successfully held the world at bay, the street sounds diminished, the bird-song enhanced. The girls heard the music and held each other in dance. We just lay in the sun, watched their dancing legs, creased hems and flowered pants as they revolved above us, happy in the union. Four figures in a perpetual summer, Pinot Grigiot on the grass, the scene panning higher until merging into trees contained within an oval of green, an oasis in the heart of the city.
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